Post-apartheid cinema: a thematic and aesthetic exploration of selected short and feature films

Autores

  • Martin P. Botha University of Cape Town

DOI:

https://doi.org/10.5007/2175-8026.2011n61p225

Resumo

 

The revival in short filmmaking in post-apartheid cinema has thus far received little attention by academic scholars. The article is an attempt to describe, contextualise and analyse the highlights of South African short filmmaking by focusing on thematic and aesthetic developments in post-apartheid cinema. Hundreds of short fiction and nonfiction films have been made in South Africa since 1980. The themes of most of these films were initially limited to anti-apartheid texts, which were instruments in the anti-apartheid struggle. During the late 1980s and early 1990s short filmmakers have also explored themes other than apartheid, for example equal rights for gay and lesbian South Africans. Many short filmmakers have since 1994 experimented with form and aesthetics, as well as various narrative structures, including oral storytelling. Future studies of post-apartheid cinema need to take the revival of short filmmaking in South Africa into account. Exciting directorial voices (male or female, gay or heterosexual, and from various language groups) such as Garth Meyer, Dumisani Phakhati, Willem Grobler, Teboho Mahlatsi, Justin Puren, Inger Smith, Johan Nel, Nina Mnaya and John Warner hold immense promise for future feature filmmaking in post-apartheid South Africa.

Biografia do Autor

Martin P. Botha, University of Cape Town

Martin Botha is an Associate Professor in the Centre for Film and Media Studies at the University of Cape Town. He published more than 200 articles, reports and papers on the South African media, including five books on South African cinema, namely Images of South Africa: the rise of the alternative film (1992), Movies Moguls Mavericks: South African cinema: 1979-1991 (1992), Kronieken vanZuid-Afrika: de films van Manie van Rensburg (1997) Jans Rautenbach:Dromer, baanbreker en auteur (2006) and Marginal Lives and PainfulPasts: South African cinema after apartheid (2007). He also co-wrotethe White Paper for a post-apartheid film industry.

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Publicado

2011-10-26