Issue Title
Vol 70, No 1 (2017) The limits of realism in The Mutilated, by Tennessee Williams: expressionism and verfremdungseffekt Abstract  PDF/a (Português (Brasil))
Gustavo Ponciano
Vol 73, No 2 (2020): The Irish Theatrical Diaspora Domesticity in the trilogies of Sean O’Casey and Yu Ch'i-jin Abstract  PDF/A
Ji Hyea Hwang
No 67 (2014): Crossing North and South: Re-visiting the Americas Indigenous: It Depends How You Look at It. What You Call It. How You Live It. Abstract  PDF/A  PDF/A
Laura Beard, Daniel Hopkins
Vol 70, No 1 (2017) The preface as stage: the theatrical trope and the performance of authorial identities in the nineteenth century Abstract  PDF/A
Geraldo Magela Cáffaro
Vol 73, No 2 (2020): The Irish Theatrical Diaspora Review: Jordan, Eamonn. The theatre and films of Conor McPherson: conspicuous communities. Methuen, 2019. Abstract  PDF/A
Ian R. Walsh
No 58 (2010) Druid theatre's economics: the first decade
Abstract  PDF (Português (Brasil))
Shelley Troupe
No 58 (2010) Charabanc, cultural capital and the men of recognised credit
Abstract  PDF (Português (Brasil))
Brenda Winter
Vol 73, No 2 (2020): The Irish Theatrical Diaspora Review: Lanters, José. The theatre of Thomas Kilroy: no absolutes. Cork UP, 2018 Abstract  PDF/A
Dawn Duncan
Vol 73, No 2 (2020): The Irish Theatrical Diaspora Dion Boucicault’s Robert Emmet?: the question of authorship and the season premiere at the McVicker's Theatre, Chicago, on November 5, 1884 Abstract  PDF/A
Fernanda Korovsky Moura
Vol 73, No 2 (2020): The Irish Theatrical Diaspora Language, translation, and the Irish Theatre Diaspora in Quebec Abstract  PDF/A
Aileen R. Ruane
No 58 (2010) (Un)settlement: political parody and the Northern Irish peace process
Abstract  PDF (Português (Brasil))
Mark Phelan
Vol 73, No 2 (2020): The Irish Theatrical Diaspora From Kerry to Chiconcuac: Marie Jones’s Stones in His Pockets and Sabina Berman’s eXtras Abstract  PDF/A
Jacqueline E. Bixler
Vol 71, No 2 (2018): Artistic Collaborations Dermot Healy and memory Abstract  PDF/A
Ondrej Pilny
No 58 (2010) Universal or provincial?: Early reception of Brian Friel's Philadelphia, Here I Come! Abstract  PDF (Português (Brasil))
Peter James Harris
No 54 (2008) Nationalism in exotic clothes? Postcolonial thinking, gender and translation in the field day anthology of irish writing Abstract  PDF (Português (Brasil))
Aidan OMalley
No 58 (2010) A brief history of Cia Ludens and its productions of Irish plays in Brazil
Abstract  PDF (Português (Brasil))
Domingos Nunez
No 58 (2010) "Stuff From Back Home": Enda Walsh's The Walworth Farce
Abstract  PDF (Português (Brasil))
Eamonn Jordan
No 58 (2010) "Poor Banished Children of Eve": Tom Murphy and the syntax of history
Abstract  PDF (Português (Brasil))
Paul Murphy
No 58 (2010) Brian Friel: the master playwright
Abstract  PDF (Português (Brasil))
Martine Pelletier
1 - 19 of 19 Items

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