A auto-ironia na poesia de Emily Dickinson

Authors

  • Carlos Daghlian UNESP

DOI:

https://doi.org/10.5007/fragmentos.v34i0.8839

Abstract

Emily Dickinson ironizes herself in different ways and for different
reasons. Self-irony affects her condition as a woman, undervalued in a predominantly patriarchal society, as an incredulous and fearful person, who recognizes the deficiencies and smallness of human beings, and as a poet in face of the precariousness of the linguistic instrument. In this last situation, romantic irony is most evident. Dealing with the great themes she always tackled, such as life, death, faith, and salvation, the self-ironical poems, often of a biographical nature, lead us to an ironical vision of the world based on self-irony.

Author Biography

Carlos Daghlian, UNESP

Bacharel e Licenciado em Letras Anglo-Germânicas (1962) pela Universidade de São Paulo (USP), Master of Arts (1965) pela Pepperdine University de Los Angeles, Doutor em Letras (1972) pela Universidade de São Paulo (USP), Livre-Docente (1987) e Titular (1993) pela Universidade Estadual Paulista (UNESP), é professor aposentado de Literatura Norte-Americana (graduação, 1967-2003) e Teoria da Literatura (pós-graduação, 1979-2006) da UNESP, câmpus de São José do Rio Preto; presidente emérito da Associação Brasileira de Professores Universitários de Inglês (ABRAPUI). p>Mais informações: Currículo Lattes - CNPq.

Published

2008-12-15

Issue

Section

Artigos