The Divine Comedy revisited: the reflective paths of Giorgio Agamben in dantesque verses

Abstract

This essay intends to study some points of the Divine Comedy and its author, through the perspective of the Italian philosopher and literary critic Giorgio Agamben, and also, how he creates rhizomes among his texts using as object of study the Florentine poet. Being one of the most studied poems in different academic areas, the Dante an chants pass through time and remain updated and active not only in re-readings of poetic productions, but also in the eyes of scholars like Agamben. The literary critic presents a compilation of several texts, in a study differentiated from Dante's poetry with books like Estancias e Categorie Italiane. Agamben approaches the question of the meaning of poetry and how it can be decisive for poetic construction, as well as the conceptualization of enjambement; re-think about the title of Comedy; brings the understanding of the contemporaneity of the poets, especially Dante, and goes deeper into the theological foundations of politics to think about the question of acclamation as the center of political devices.