Interpassivity and anonymity: the case of the pasquinades in La Mala Hora

Authors

  • Ane Carolina Randig Tavares Universidade Federal de São Carlos

DOI:

https://doi.org/10.5007/1984-784X.2019v19n30p87

Abstract

In this paper, it is intended to discuss about the aesthetic function and thematic of the pasquinades (anonymous letters) present in the narrative composition of La mala hora (1962), novel written by Gabriel García Márquez. For this, it will be accomplished an approximation between literature and psychoanalysis, by means of the ideas introduced by Slavoj Zizek, in the chapter II, into its book How to read Lacan (2010). By linking Zizek's reflections on the Greek chorus (theatrical artifice) and cyberspace (virtual artifice) with the pasquinades (literary artifice), one aims to ascertain what these vehicles - as a space of representation - have in common and thus understanding the effects of meaning of the pasquinades in the narrative.


Author Biography

Ane Carolina Randig Tavares, Universidade Federal de São Carlos

Possui graduação em Letras (Habilitação Português-Espanhol) pela Universidade Federal de Mato Grosso do Sul - UFMS, Campus Pantanal e mestrado em Estudos de Literatura pela Universidade Federal de São Carlos - UFSCar. Tem experiência na área de estudos comparados - literatura e outras artes, atuando principalmente nos seguintes temas: tradução intersemiótica; recriação; processo criativo.

References

BELLEMIN-NOEL, Jean. Psicanálise e Literatura. São Paulo: Editora Cultrix, 1978, p.13.

EAGLETON, Terry. Teoria da Literatura: Uma introdução. São Paulo: Martins Fontes, 1997, p. 268, grifo do autor.

ZIZEK, Slavoj. Como ler Lacan. Trad. Maria Luiza X. de A. Borges. Rio de Janeiro: Zahar, 2010.

MÁRQUEZ, Gabriel García. Textos andinos, obras jornalísticas 2, 1954-1955. Recompilação e prólogo de Jacques Gilard. Tradução Remy Gorga, Filho e Léo Schlafman. Rio de Janeiro: Record, 2006, p. 58.

MÁRQUEZ, Gabriel García. La mala hora. 5. ed. Buenos Aires: Debolsillo, 2010, p. 152.

FERREIRA, Aurélio Buarque de Holanda. Mini Aurélio: o dicionário da língua portuguesa. 8.ed. Curitiba: Positivo, 2010, p. 567.

MARTIN, Gerald. Gabriel García Márquez: uma vida. Tradução de Cordelia Magalhães. Rio de Janeiro: Ediouro, 2010, p. 199.

JOSEF, Bella. História da literatura hispano-americana. Rio de Janeiro: Editora UFRJ, Francisco Alves Editora, 2005, p. 280.

Carlos Ceia: s.v. “coro”, E-Dicionário de Termos Literários (EDTL), coord. de Carlos Ceia, http://www.edtl.com.pt, consultado em 04-05-2017.

Downloads

Published

2020-05-13

Issue

Boletim de Pesquisa NELIC, v. 19, n. 30, 2019 - Poesia, memória e arquivo II: Manuel Bandeira

Section

Articles

License

Authors that publish in the Boletim de Pesquisa NELIC agree with the following terms:

a) Authors maintain copyrights and allow the journal to publish their work under the Creative Commons License BY-NC 4.0, which allows the sharing of the work, authorship recognition, and the initial publication in this journal.

b) Authors may sign additional separate contracts for non-exclusive distribution of the version of the work publish in this journal (e.g. publishing in an institutional repository or as book chapter).

c) Authors are authorized and encouraged to publish and share their work online (e.g. in institutional repositories, social media, personal pages, etc.) after the editorial process, once such actions may raise impact and citation of the published work.

d) Authors of approved works authorize the journal to reproduce their content in indexers, virtual libraries and the like.

e) The authors ensure that the submitted work for publishing is original, and are fully responsible for their content in case of any dispute by third-parties.

 

 CC-by-NC icon

Boletim de Pesquisa NELIC is licensed under Creative Commons - Attribution-NonCommercial 4.0 International.