Methodological procedures for a philology of the poetic voice in performance in Galician Portuguese medieval songs
DOI:
https://doi.org/10.5007/2175-7917.2025.e103376Keywords:
Philology, voice in performance, Galician-Portuguese medieval songsAbstract
This article aims to expand the scope of philological science in relation to the Theory of Literature, turning to textual marks in medieval Galician-Portuguese manuscripts that allow us to consider the presence of the poetic voice in performance. In order to achieve this, there is initially the need for an epistemological change that breaks with graphocentric paradigms from Ong (1998), Zumthor (1993, 2010), Lemaire (1987, 2013) and Havelock (1996). Subsequently, it is done the survey and analysis of possible textual marks of the voice in performance, especially the delocutive verbal deixis and the locative and temporal adverbial deixis, in the sis medieval tensions, using expository paintings of the data ascertained in the tensions. Finally, it is delimited, from the previous research, the suggested methodological procedures that provide a Philology of the voice in performance in Galician-Portuguese medieval songs. In addition to the references already mentioned, we refer to Dubois et al. (2014) and, as a source of the poetic texts studied, to Aguiar (2023).
References
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