Ecological subjectivity and lyrical objectivism in the poems of Arthur Rimbaud

Authors

DOI:

https://doi.org/10.5007/2175-7917.2026.e107977

Keywords:

Arthur Rimbaud, subjectivity, lyric poetry

Abstract

Closely linked to the expression of personal feelings since Romanticism, lyricism is established in Arthur Rimbaud based on an expanded subjectivity that is outside of itself. In his poems, it is possible to identify not only that nature escapes the passive condition of contemplation of the lyrical subject, but also that subjectivity acquires an ecological and geocentric dimension, manifesting a “lyrical objectivism”. This study sought to trace stylistic procedures with which Arthur Rimbaud associates lyricism with a feeling of nature, specifically in the poems “Sensation” and “Les reparties de Nina”, in light of Berque (1998), Collot (2011), Giusto (1980), Eigeldinger (1981), Kondratov (1972), among others. The reading of the poems pointed to elements such as verbal conjugation linked to tactility, the link between strophic progression and the stages of subjective-objective fusion, and biophony as an acoustic demarcation of the landscape.

Author Biography

Gabriel Alves Fernandes, Universidade Federal de Goiás

Bachelor's degree in Portuguese Language and Literature from the Federal University of Goiás. Master's degree in Language and Literature from the Graduate Program in Language and Literature at the Federal University of Goiás. PhD researcher in Literary Studies with a CAPES scholarship from the same institution. He is researching the poetry of Arthur Rimbaud. Email: galves@discente.ufg.br

References

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Published

2026-09-01

How to Cite

FERNANDES, Gabriel Alves. Ecological subjectivity and lyrical objectivism in the poems of Arthur Rimbaud. Anuário de Literatura, [S. l.], v. 31, p. 01–17, 2026. DOI: 10.5007/2175-7917.2026.e107977. Disponível em: https://periodicos.ufsc.br/index.php/literatura/article/view/107977. Acesso em: 2 sep. 2026.

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Section

Articles