Max Ernst’s perverse feuilletons
DOI:
https://doi.org/10.5007/2175-7917.2010v15n1p154Abstract
In his three collage novels Max Ernst uses nineteenth-century illustrations, most from catalogues, scientific magazines and serial publications. The ambiguous and elliptical narratives created by the artist manifest a critical vision of nineteenth-century society steeped in surrealist and psychoanalytic categories.
Downloads
Published
How to Cite
Issue
Section
License
This journal provides open access to all of it content on the principle that making research freely available to the public supports a greater global exchange of knowledge. Such access is associated with increased readership and increased citation of an author's work. For more information on this approach, see the Public Knowledge Project, which has designed this system to improve the scholarly and public quality of research, and which freely distributes the journal system as well as other software to support the open access publishing of scholarly resources. The names and email addresses entered in this journal site will be used exclusively for the stated purposes of this journal and will not be made available for any other purpose or to any other party.
Este trabalho está licenciado com uma Licença Creative Commons - Atribuição 4.0 Internacional.
