The World’s machine reinvented
DOI:
https://doi.org/10.5007/2175-7917.2010v15n2p133Abstract
This text analyses in 2010 the poetical scene of the poem The World’s machine of Carlos Drummond de Andrade written in 1949. It is reviewed relevant critical texts about the poem and intertextual possible connections. Among them, the correspondence between Mario de Andrade and Drummond helps to web an embroider that is ended with a thematically and biographical approximation with El Aleph of Jorge Luis Borges. The critical literary work is thought walking among the seriousness of the academic text, the poetical textuality and a blague’s tone. The punctum and the stadium of Roland Barthes in Câmara Clara are used as poetical/analytical/textual motivation.
Downloads
Published
How to Cite
Issue
Section
License
This journal provides open access to all of it content on the principle that making research freely available to the public supports a greater global exchange of knowledge. Such access is associated with increased readership and increased citation of an author's work. For more information on this approach, see the Public Knowledge Project, which has designed this system to improve the scholarly and public quality of research, and which freely distributes the journal system as well as other software to support the open access publishing of scholarly resources. The names and email addresses entered in this journal site will be used exclusively for the stated purposes of this journal and will not be made available for any other purpose or to any other party.
Este trabalho está licenciado com uma Licença Creative Commons - Atribuição 4.0 Internacional.
