Il Compagno: a reinterpretation pavesiana post-war fascism

Authors

  • Alexandra Helena Pavan Pavão Universidade Federal de Santa Catarina

DOI:

https://doi.org/10.5007/2175-7917.2010v15n2p216

Abstract

The post-war Italy is very rich in its productions and artistic events. It is exactly this period that the writer Cesare Pavese, even declaring himself away from 'politics', publishes its text more 'political': Il Compagno. The 1947 novel features a protagonist pavesianos different from other characters, while maintaining some similarities, such as idleness and the area of Turin. The aim of this study is to analyze the reading Pavese that makes aspects of fascism when the regime was no longer in force. In fact, the peninsula had been held the plebiscite of 1946, which was chosen as the Republic form of government.

Author Biography

Alexandra Helena Pavan Pavão, Universidade Federal de Santa Catarina

Graduada em Pedagogia (UDESC, 2003) e especialista em Psicopedagogia (IESDE, 2005) e em Metodologia da Educação a Distância (Unisul, 2008). Graduanda em Letras Italiano (UFSC) e Mestranda em Literatura (UFSC).

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Published

2010-11-29

How to Cite

PAVAN PAVÃO, Alexandra Helena. Il Compagno: a reinterpretation pavesiana post-war fascism. Anuário de Literatura, [S. l.], v. 15, n. 2, p. 216–222, 2010. DOI: 10.5007/2175-7917.2010v15n2p216. Disponível em: https://periodicos.ufsc.br/index.php/literatura/article/view/2175-7917.2010v15n2p216. Acesso em: 3 feb. 2026.

Issue

Vol. 15 No. 2 (2010)

Section

Dossiê

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Licença Creative Commons
Este trabalho está licenciado com uma Licença Creative Commons - Atribuição 4.0 Internacional.