Cintilações de neutro nas imagens de mãe e filho
Abstract
The present essay discusses Mãe e filho (Mother and son — 1997), a film by Aleksandr Sokurov, a contemporary Russian film director, which argument is the mother’s death. I approach the film, through the Barthesian concept of neuter dialoguing with other concepts, as image-affection, in Deleuze, and Interface, in Ranciére.
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Copyright (c) 2008 Rosana Cacciatore Silveira
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