Graphic-visual experimentalism in Fernando Aguiar’s poetry-resistance: brief analysis of O dedo (poem in 22 movements)
DOI:
https://doi.org/10.5007/2175-7917.2024.e92545Keywords:
Experimentalism, Resistance, Graphic-visual poetry, Fernando AguiarAbstract
Fernando Aguiar's poetics is inscribed in experimentalist intersections, which are situated in the graphic, visual and performance fields. This experimental poetry making is also one of resistance, given that it is established in a perspective of poiesis that is opposed to contemporary “practical making”, leading, through the redefinition of both the poetic instrument and the senses and social constructs, to a fruition that enables reflection on the human condition itself. In this article, we look at one of the works of graphic-visual experimentation by the poet, O Dedo (poem in 22 movements), which we analyze, from the perspectives of experimentalism and resistance, in the light of the theoretical postulates of Giorgio Agamben (2013), Jacques Rancière (1996), E. M. de Melo e Castro (1993; 2014), Michel Foucault (1986; 2000) and Paul Zumthor (2007), in order to present to the reader how Aguiar’s poetic work proposes to provoke, to challenge established and consolidated structures, whether for poetry, or for human social experience.
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Copyright (c) 2024 Priscila Vasques Castro Dantas, Rita do Perpétuo Socorro Barbosa de Oliveira
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