Étant donnés: Raúl saw the vulva (¡Ave María!)
DOI:
https://doi.org/10.5007/1984-784X.2018v18n29p5Abstract
Both in the Argentine edition, María con Marcel (Duchamp en los trópicos), 2006, and in the Brazilian edition, Maria com Marcel (Duchamp nos trópicos), 2010, versions of one of the key books signed by Raúl Antelo, there is a photograph of the author “behind the Small Glass of Marcel Duchamp”, as informed in them, indication that follows the reference: “Museum of Modern Art, Nova Iorque, 2004. Foto A.G.” Such a photograph constitutes the starting port for the proposition of a set of reflections about the anartistics powers, unfolded in a series of Duchampian coincidences, arranged by the anarcritic Antelian exercice in the same book, made another of itself.
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