Indigenous literature: echo-writing and [re]captures from Jacques Ranciére’s aesthetical regime of the arts
DOI:
https://doi.org/10.5007/1984-784X.2020.e82770Keywords:
Indigenous literature, Aesthetical regime of the arts, Democratic lifeAbstract
This paper reflects about the communal expansion and the new part-takings from the sensible due to the political and aesthetical revolution made by indigenous individuals in the arts sphere that presents fractures in the consensus, causing the reinforce of dissent and the remodeling of democratic life. The starting point is the indigenous individual legitimation as a one that carries political rights, coming from the 1988’s Brazilian Federative Republic Constitution, together with a guideline from the conceptions of Jacques Rancière about the aesthetical regime of the arts, politics and democracy. To diminish the roaring gap between the context that conceives the technical apparatus mobilized here and the context in where the indigenous people of Pindorama are part of, we proceed an adjust in the lens that evidence the echoes of the indigenous word and temporize its existence.
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