ETHICS AND AESTHETICS IN MARIO DE ANDRADE
DOI:
https://doi.org/10.5007/2175-7917.2008v13n1p122Abstract
The naturalization of a Brazilian musical typology which represents a national entity presupposed by the construction of a tradition from Mario de Andrade’s thought encounters the reader with the apparent contradiction of the proposal of a sense produced to the sensorial aspect by means of the word. The aim of this paper is to analyze Mario de Andrade’s valorization of the functional immediateness of the musical art, from which contradictorily the perpetual value of the ethos emerges. The incorporation of the word through sound becomes a basic apparatus, but when the sound is contaminated with its meaning, the word prints its opacity.Downloads
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