ETHICS AND AESTHETICS IN MARIO DE ANDRADE
DOI:
https://doi.org/10.5007/2175-7917.2008v13n1p122Abstract
The naturalization of a Brazilian musical typology which represents a national entity presupposed by the construction of a tradition from Mario de Andrade’s thought encounters the reader with the apparent contradiction of the proposal of a sense produced to the sensorial aspect by means of the word. The aim of this paper is to analyze Mario de Andrade’s valorization of the functional immediateness of the musical art, from which contradictorily the perpetual value of the ethos emerges. The incorporation of the word through sound becomes a basic apparatus, but when the sound is contaminated with its meaning, the word prints its opacity.
Downloads
Published
How to Cite
Issue
Section
License
This journal provides open access to all of it content on the principle that making research freely available to the public supports a greater global exchange of knowledge. Such access is associated with increased readership and increased citation of an author's work. For more information on this approach, see the Public Knowledge Project, which has designed this system to improve the scholarly and public quality of research, and which freely distributes the journal system as well as other software to support the open access publishing of scholarly resources. The names and email addresses entered in this journal site will be used exclusively for the stated purposes of this journal and will not be made available for any other purpose or to any other party.
Este trabalho está licenciado com uma Licença Creative Commons - Atribuição 4.0 Internacional.
