Paths of an Italian identity in contemporary Portuguese crime fiction
DOI:
https://doi.org/10.5007/2175-7917.2011v16n2p128Abstract
How is Italy represented in contemporary Portuguese crime fiction? In João Tordo’s O Bom Inverno (2010) and Margarida Utne’s O último comboio para Roma (1998) we find a few answers to this question, as the two novels approach Italian identity quite differently, despite falling both into the most common socio-cultural stereotypes on the topic.Downloads
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