The (de) construction of "I" n'Os cus of Judas

Abstract

This work aims to bring to discussion the issue of composition of "I" in the autobiographical fiction of the asses of Judas (1979), the Portuguese writer António Lobo Antunes. To meet the proposed, it is necessary to assess how the author weaves his speech regarding the configuration of subjectivity associated with the image (un)done by the dominant voice of the text, which is engaged during a night brooding watered the whiskey , gushing feelings, feelings, fears and anxieties. As the work is appealing to the unveiling of the "I" from a written memorial, we are introduced to the intimate with someone who shares the chaotic scenario derived from the colonial war in Angola. Thinking analyze the character of the character from what he account is relevant for allowing us to understand how it is configured contemporary thought, therefore, outlines the forms of art. As an aid predominant theory, will be referred to Stuart Hall, whose focus is selected the notion of identity, Walter Benjamin, for his statements about the narrator, Paula Sibilia for his study in favor of the manifestation of the intimate, and Michel Foucault by observations of individualization.