Quem tem medo de Ana Cristina Cesar?
DOI:
https://doi.org/10.5007/1984-784X.2010nesp3p197Abstract
Este ensaio propõe uma breve análise dos exercícios e procedimentos de escrita poética de Ana Cristina Cesar através da série de poemas conhecidos como “gatografia” publicados em Inéditos e Dispersos em 1998. A série é composta por 12 poemas sendo que em 7 deles Ana C. faz referência explícita ao longo poema Invenção de Orfeu de Jorge de Lima. A pergunta “Quem tem medo de Ana Cristina Cesar?” cria uma problemática em torno de uma poeta dita marginal que, no entanto bebe na fonte da literatura moderna clássica, e dela se apropria para resignificar a linguagem poética.
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