1932: entre a imagem e a virtualidade

Chirsty Beatriz Najarro Guzmán

doi:10.5007/1984-784X.2015v15n24p23

1932: Between image and virtuality

Authors

Chirsty Beatriz Najarro Guzmán Universidade Federal de Santa Catarina

DOI:

https://doi.org/10.5007/1984-784X.2015v15n24p23

Abstract

Between reality and its image representation, the subjectivity of who captures this reality interferes, the subjectivity of whose intellectual, social and cultural conditions are configured in face of the imagistic face’s analogic and dissimilar arrangement, according to Jacques Rancière’s considerations on the images’ nature. Therefore, the statement of the existence of a single speech about an historical event is shaken, as well as the univocality of such an event. Taking this into consideration, the documentary 1932: cicatriz en la memoria (2005), directed by Carlos Henríquez Consalvi for the Museo de la Palabr y la Imagen (MUPI), of El Salvador, presents a narrative that grasps the popular cleansing and cultural ethnocide of 1932 as the seed of the Salvadoran Communist Party (PC). At the same time, another narrative whose line of thought goes in the opposite direction is elaborated, placing the indigenous as the protagonist, challenging the official discourse about the events.

Author Biography

Chirsty Beatriz Najarro Guzmán, Universidade Federal de Santa Catarina

Bacharel em Letras português-espanhol pela Universidade Federal do Paraná (UFPR) em 2010. Mestre em Estudos Literários pela Universidade Federal do Paraná (UPFR), apresentado a dissertação intitulada "A morte como forma de exílio na narrativa de Jacinta Escudos". Doutoranda em Literatura pela Universidade Federal de Santa Catarina (UFSC).

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Published

2015-03-23

Issue

Boletim de Pesquisa NELIC v. 15, n. 24 - Potências do cinema (2015)

Section

Dossiê

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