Migrations and returns
DOI:
https://doi.org/10.5007/1807-9288.2018v14n2p79Abstract
The present article aims to analyse theoretical and artistic procedures in different moments of the artistic production of Wilton Azevedo. From the earliest years of his career, with his visual production, through sound experiments, such as the one realized with Catatau by Paulo Leminsky and the performances of Duo Pantharei. For this will be adopted the ideas of translation and baroque, with theorists as SARDUY and LOTMAN. The article shows the continuity of the artist's work in his ever present objective of working on intertextuality.References
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MARQUES, B. Entrevista Wilton Azevedo. Revista Txt: Leituras Transdisciplinares de Telas e Textos. Belo Horizonte, v.3, n.6, p.78-81, 2007, p.53 e 54. Em https://seer.ufmg.br/index.php/txt/article/view/9153. Acesso em 05/06/2018.
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