Representações populares e de elite na Argentina e no Brasil do Entre-Guerras a partir de Carlos Gardel e Carmen Miranda

Authors

  • Claudia Wasserman UFRGS
  • Alessander Kerber FEEVALE

DOI:

https://doi.org/10.5007/2175-7976.2008v15n20p21

Abstract

In the present article, we intend to analyze the popular and elite identities representations into the songs, images and performance of Carlos Gardel and Carmen Miranda. The hypothesis is that those artists were important in the process of negotiation and the Argentinean and Brazilian national identities-building; concerning their performance as interpreters in their countries, and the advertising over their works which were purchased by a large number of consumers in an emergency nationalism between the Wars. In their songs, images and performance, there were also popular representations which were associated with national identity. This association is the theme of study.

Author Biographies

Claudia Wasserman, UFRGS

Doutora em história social (UFRJ); professora e pesquisadora da UFRGS

Alessander Kerber, FEEVALE

Doutor em história (UFRGS); professor e pesquisador do Centro Universitário FEEVALE

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Published

2009-03-21

How to Cite

Wasserman, C., & Kerber, A. (2009). Representações populares e de elite na Argentina e no Brasil do Entre-Guerras a partir de Carlos Gardel e Carmen Miranda. Esboços: Histories in Global Contexts, 15(20), 21–46. https://doi.org/10.5007/2175-7976.2008v15n20p21

Issue

Vol. 15 No. 20 (2008)

Section

Special issue

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Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.