Hybridisms and intertextuality in teen-themed contemporany cinema

Authors

  • Tania Montoro Universidade de Brasília
  • Michael Peixoto Doutorando no Programa de Pós-Graduação em Comunicação Social da Universidade de Brasília – UNB.

DOI:

https://doi.org/10.5007/2175-7976.2012v19n27p258

Abstract

This paper aims to investigate the intertextual relationships and the hybrid experiences between means of communication and esthetics present in a number of contemporary films from distinct cinematographic backgrounds whose focus privileges the teen universe. From a broader framwork of six filmes, the analysis was mainly focused on the spanish movie Verbo (2011, Eduardo Chapero-Jackson) and the polish The Suicide Room (2011, Jan Komasa). From the narrative construction and visual composition of these films, the author attempted to draw a representation on how the characters’ rites of passage are developed within the narrative of the different film mechanisms in its hybrid conception and pervaded by intertextuality.

Author Biographies

Tania Montoro, Universidade de Brasília

Professora e pesquisadora de teoria do cinema na graduação em audiovisual  e no programa de mestrado e doutorado em Comunicação da Universidade de Brasília

Michael Peixoto, Doutorando no Programa de Pós-Graduação em Comunicação Social da Universidade de Brasília – UNB.

Doutorando no Programa de Pós-Graduação em Comunicação Social da Universidade de Brasília – UNB.

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Published

2012-06-09

How to Cite

Montoro, T., & Peixoto, M. (2012). Hybridisms and intertextuality in teen-themed contemporany cinema. Esboços: Histories in Global Contexts, 19(27), 258–272. https://doi.org/10.5007/2175-7976.2012v19n27p258

Issue

Vol. 19 No. 27 (2012): Dossiê História e Cinema

Section

Special issue

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This work is licensed under a Creative Commons Attribution 4.0 International License.