Janelas - Arte e estado-novo nas telas de Cândido Portinari
Abstract
The purpouse of this article is to analyse Portinari's canvas: "Hammock's" Buriel, painted in 1944. The analysis will be through two metaphors: where the body extended in the hammock is traced as a people's picture in Getúlio Vargas government; and as a pcture of a deal child- a symbol of a abandoned childhood in the Estado Novo (New Age State).Downloads
Published
2004-01-01
How to Cite
De Martino, M. (2004). Janelas - Arte e estado-novo nas telas de Cândido Portinari. Esboços: Histories in Global Contexts, 11(11), pp. 209–216. Retrieved from https://periodicos.ufsc.br/index.php/esbocos/article/view/485
Issue
Section
Esboços
License
Esboços: histories in global contexts adopts an Open Access policy and it is licensed under a Creative Commons Attribution 4.0 International License (CC-BY 4.0). Authors will be asked to sign an open access license agreement before publication.
Authors who publish with this journal agree to the following terms:
- Authors grant the journal Esboços: histórias em contextos globais (ISSN 2175-7976) right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License (CC-BY 4.0).
- This license allows users to remix, transform, and build upon the material, on the condition of giving acknowledgement of the work's authorship and initial publication in this journal.
- 3.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or a personal website, or publish it as a book chapter or a translation).
This work is licensed under a Creative Commons Attribution 4.0 International License.