Confined in themselves: social death and the isolation of the subject in Margaret Atwood’s The Handmaid’s Tale
DOI:
https://doi.org/10.5007/2175-7917.2019v24n2p164Abstract
In The Handmaid’s Tale, by Margaret Atwood, the Republic of Gilead submits the women who are still fertile to a series of acts that result in a particular condition of death in life, a condition which can be called social death, which appears in its more extreme form, according to Patterson (1985), in the institution of slavery. From Patterson’s study, Lisa Gunther (2013) investigates the apparatus involved in making and unmaking someone’s personhood both externally (socially) and internally (subjectively). This paper proposes that the interpretation of the Handmaid’s condition as a condition of slavery allows for the understanding of the social practices that generate the effect of these subjects’ social death, as well as the understanding of the conditions of possibility of the regime presented by Atwood’s dystopia, which might seem extreme and far-fetched, but has its roots on a familiar apparatus of exclusion and violation.References
ATWOOD, Margaret. O conto da Aia. Rio de Janeiro: Rocco, 2017.
BUTLER, Judith. Quadros de guerra: quando a vida é passível de luto?. Rio de Janeiro: Civilização Brasileira, 2018.
CULLER, Jonathan. The literary in theory. In: BUTLER, Judith; GUILLORY, John; THOMAS, Kendall. (Eds.) What’s left of theory: new work on the politics of literary theory. London: Routledge, 2000, p. 273-292.
GUENTHER, Lisa. Solitary confinement: social death and its afterlives. Minneapolis: University of Minnesota Press, 2013.
MALAK, Amin. Margaret Atwood’s The Handmaid’s Tale and the Dystopian Tradition. In: BLOOM, Harold. (Ed.) Margaret Atwood’s The Handmaid’s Tale. Langhorne, Pennsylvania: Chelsea House Publishers, 2001. , p. 03-10.
PATTERSON, Orlando. Slavery and social death: a comparative study. Minneapolis: University of Minnesota Press, 1985.
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