Confined in themselves: social death and the isolation of the subject in Margaret Atwood’s The Handmaid’s Tale

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DOI:

https://doi.org/10.5007/2175-7917.2019v24n2p164

Abstract

In The Handmaid’s Tale, by Margaret Atwood, the Republic of Gilead submits the women who are still fertile to a series of acts that result in a particular condition of death in life, a condition which can be called social death, which appears in its more extreme form, according to Patterson (1985), in the institution of slavery. From Patterson’s study, Lisa Gunther (2013) investigates the apparatus involved in making and unmaking someone’s personhood both externally (socially) and internally (subjectively). This paper proposes that the interpretation of the Handmaid’s condition as a condition of slavery allows for the understanding of the social practices that generate the effect of these subjects’ social death, as well as the understanding of the conditions of possibility of the regime presented by Atwood’s dystopia, which might seem extreme and far-fetched, but has its roots on a familiar apparatus of exclusion and violation.

Author Biographies

Jade Bueno Arbo, Universidade Federal de Pelotas

Mestranda no Programa de Pós-Graduação em Filosofia pela Universidade Federal de Pelotas (PPGFil-UFPEL) e graduada pelo curso de bacharelado Letras com ênfase em Redação e Revisão de Textos pela mesma universidade (2017). Desenvolve trabalhos nas áreas de Gênero e Linguagem, Filosofia Feminista e intersecções entre Filosofia e Literatura.

Eduardo Marks de Marques, Universidade Federal de Pelotas

Graduado em Letras – Português e Inglês (UFRGS, 1999); Mestre em Letras – Inglês e Literatura Correspondente (UFSC, 2002); PhD em Literatura e História Cultural Australiana (University of Queenland, 2007), com Estágio Pós-Doutoral em Estudos Literários (UFMG, 2014). Professor Associado II de literaturas de língua inglesa e teoria literária na Universidade Federal de Pelotas.

References

ATWOOD, Margaret. O conto da Aia. Rio de Janeiro: Rocco, 2017.

BUTLER, Judith. Quadros de guerra: quando a vida é passível de luto?. Rio de Janeiro: Civilização Brasileira, 2018.

CULLER, Jonathan. The literary in theory. In: BUTLER, Judith; GUILLORY, John; THOMAS, Kendall. (Eds.) What’s left of theory: new work on the politics of literary theory. London: Routledge, 2000, p. 273-292.

GUENTHER, Lisa. Solitary confinement: social death and its afterlives. Minneapolis: University of Minnesota Press, 2013.

MALAK, Amin. Margaret Atwood’s The Handmaid’s Tale and the Dystopian Tradition. In: BLOOM, Harold. (Ed.) Margaret Atwood’s The Handmaid’s Tale. Langhorne, Pennsylvania: Chelsea House Publishers, 2001. , p. 03-10.

PATTERSON, Orlando. Slavery and social death: a comparative study. Minneapolis: University of Minnesota Press, 1985.

Published

2019-11-21

How to Cite

ARBO, Jade Bueno; MARQUES, Eduardo Marks de. Confined in themselves: social death and the isolation of the subject in Margaret Atwood’s The Handmaid’s Tale. Anuário de Literatura, [S. l.], v. 24, n. 2, p. 164–176, 2019. DOI: 10.5007/2175-7917.2019v24n2p164. Disponível em: https://periodicos.ufsc.br/index.php/literatura/article/view/2175-7917.2019v24n2p164. Acesso em: 5 jul. 2024.

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Articles