Radio Bandeira
DOI:
https://doi.org/10.5007/1984-784X.2019v19n31p27Abstract
Among the poems translated by Manuel Bandeira in his book Poemas traduzidos, first published in 1945, there is a famous Hispanic-modernist poem called “Nocturno”, written by the Colombian poet José Asunción Silva (1865-1896). In order to resonate the subtle sound effects of the original poem, Bandeira applies at high concentration some of those resources of versification he reported to have learned in the beginning of his memoirs, Itinerário de Pasárgada: synalephas, synereses and diereses; alternation of oxytone, paroxytone, and proparoxytone rhymes; echoes, reverberations, paronomasias, etc. In this paper, a brief analysis of this translation is followed by a discussion of some rhythmic elements of Bandeira’s poetry and their relation with colloquial diction and the history of free verse in Brazilian poetry.
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