Bodies and Tension: Feminine, Masculine and Baroque in Bach
DOI:
https://doi.org/10.1590/S0104-026X2003000100008Abstract
In 1996, the dance company Corpo from Belo Horizonte presented the spectacle Bach. The music, the coreography and the visual elements as scenery and costumes are combined in a rereading of the baroque aesthetics. In this context, the dancers bodies play a major role in the inscription of tension, common in the baroque, especially through the way they perform gender relations.Downloads
Downloads
Published
How to Cite
Issue
Section
License
Revista Estudos Feministas is under the Creative Commons International 4.0 Attribution License (CC BY 4.0), that allows sharing the work with recognition of authorship and initial publication in this journal.
The license allows:
Sharing (copying and redistributing the material in any support or format) and/or adapting (remixing, transforming, and creating from the material) for any purpose, even if commercial.
The licensor cannot revoke these rights provided the terms of the license are respected. The terms are the following:
Attribution – you should give the appropriate credit, provide a link to the license and indicate if changes were made. This can be done in several ways without suggesting that the licensor has approved of the use.
Without additional restrictions – You cannot apply legal terms or technological measures that prevent others from doing something allowed by the license.
