.
DOI:
https://doi.org/10.5007/2178-4582.2010v44n2p293Abstract
Assuming the salient mimetic capacity of Jorge Ben Jor songs, thisarticle analyzes one of his music: País Tropical. Two different versions
are studied, one of Wilson Simonal and the other one of Tropicalism, both
of 1969, aiming at verifying the speech redraft process, patriotic in the
first one and allegorizer of the nationalism and the products of cultural
industry in the second one. It is remarkable, over all, a path of redefinition
exceeding the simple interpretative variability, inherent to any object of analysis, but especially characterized by the authentic way the song is transformed to, and not just by, the context.
Downloads
Published
Issue
Section
License
This journal provides open access to all of it content on the principle that making research freely available to the public supports a greater global exchange of knowledge. Such access is associated with increased readership and increased citation of an author's work. For more information on this approach, see the Public Knowledge Project, which has designed this system to improve the scholarly and public quality of research, and which freely distributes the journal system as well as other software to support the open access publishing of scholarly resources. The names and email addresses entered in this journal site will be used exclusively for the stated purposes of this journal and will not be made available for any other purpose or to any other party.
Esta obra está licenciada sob uma Licença Creative Commons
