The relationship between photography and poetry: the case of piva-lee's poetic expression
DOI:
https://doi.org/10.5007/1807-9288.2014v10n1p249Abstract
This article aims to analyze the book Paranoia, from the concept of analogy as a trainer of poetic imagery and metaphoric and metonymic operations, the relationship between the poems of the poet Roberto Piva and photographs of the artist Wesley Duke Lee's photographs. Duke Lee does not merely illustrate the verses of Piva, but establish a dialogue between different languages, based on certain tension. The comparison between some recurring elements in both, poems and photographs, provides subsidies for a more accurate reasoning of those propositions. The intention is to contribute to a analytical look at a possible relationship between poetic and technologies.
Downloads
Published
Issue
Section
License
Authors who have their works published in Texto Digital agree that:
Copyrights remain with the authors, who grant the journal the right of first publishing their submitted manuscripts. All materials published by the journalare under an Attribution 4.0 International - Creative Commons License, which allows them to be shared since authorship and first publication credits are mentioned.
The Attribution 4.0 International - Creative Commons allows the copy and redistribution of the material in any medium or format, as well as its adaptation for any purpose, even commercially.
Authors can take additional contracts for non-exclusive distribution of the version of their works published by our journal separately (e.g. to publish it in an institutional repository or as a book chapter) with both expressed authorship acknowledgment and Texto Digital’s first publication credit.
