Frame and Horizontality in Primeira Missa no Brasil
DOI:
https://doi.org/10.5007/2175-7976.2008v15n19p117Abstract
^This article approachs the difference of languages between two kinds of painting of Victor Meirelles, a Primeira Missa no Brasil in 1860 and Panorama do Descobrimento do Brasil exposed in 1900. The Panoramas was paintings exposed at especial architecture called rotundas and they had they peak in 19th century. While the Panorama seems no limits at horizontal circularity, at traditional painting the space is delimited by the edge of frame. In the case of Primeira Missa no Brasil beside some reproductions put in evidence just the detail of central scene.
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Published
2008-03-21
How to Cite
Coelho, M. C. (2008). Frame and Horizontality in Primeira Missa no Brasil. Esboços: Histories in Global Contexts, 15(19), 117–123. https://doi.org/10.5007/2175-7976.2008v15n19p117
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