Art as an element of power and propaganda in the Neo-Assyrian Empire
DOI:
https://doi.org/10.5007/2175-7976.2020.e70896Abstract
The present article aims to introduce the purpose of art in the Neo-Assyrian Empire, its historical context and ramifications during this period. For this purpose, we performed a literature review of the art in the Neo-Assyrian Empire and in historical and archaeological documents. Contrary to general perception, the Neo-Assyrian palaces were not only restricted to a royal residence complex, but they also had a social-political function. By the time of Ashurnasirpal II, the palaces were decorated with Mesopotamian traditional motifs, but its sculptures and artistic reliefs were not only intended to decorate the palace, but to establish the royal right before their subjects, especially the elite that the king depended upon politically. These palatial artistic features remained over the centuries and peaked during the reign of Sennacherib, where it is possible to notice artistic innovations. In examining the archaeological and historical evidences of his palace and contrast them, it is possible to identify many discrepancies, mainly concerning his intended audience. We are able to conclude, taking the Lachish assault in the palace of Sennacherib as an example, that sculptures and artistic reliefs could be targeted to a determined audience and, unlike written documents, they omitted certain events that would remain accessible only to people whom the king trusted.
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