#Cancelada: a culture of boycott conveyed by impoliteness estrategies
DOI:
https://doi.org/10.5007/1984-8412.2025.e96951Keywords:
Cancellation culture, Linguistic-discursive violence, Impoliteness, Digital social networksAbstract
This research aims to analyze how internet users, in online-mediated interactions on the social network X (formerly Twitter), employed linguistic-discursive resources that would suggest the cancellation of the artist Thaila Ayala, by reducing interlocutive distance and constructing metapragmatics of impoliteness. In the theoretical scope, we assume that cancel culture involves impolite language actions at the micro (impoliteness strategies), macro (establishment of violent metapragmatics), and meso levels (regulation of interlocutive instances for violence), guided by the intersection of Interactional Sociolinguistics and Pragmatics. In the methodological scope, we selected one post from G1 and seven comments related to the cancellation of the artist Thaila Ayala, under the guidance of (N)etnography and Critical Discourse Analysis. In the analytical scope, we observed that irony, derogatory rhetorical questions, pejorative adjectives, distinct insinuations, and various grammatical-textual uses, as violent linguistic-discursive strategies, emerged from a (meta)discursive struggle between the artist (cancelled) and the internet users (cancellers), forming a unit of meaning that framed the cancellation as a kind of pursuit of social justice.
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