O poema como exílio: Sousândrade-Guesa em “O inferno de Wall Street”
Abstract
This essay intends to read in O Guesa, of Joaquim de Sousândrade, a sort of exile-poem. A desert where the poet is an eternal errant, a stranger in his own language, where the representation is not possible anymore and what remains is multi-idiomatic fragmentation, roars, babbles, cacophonies, cries, screams and inversions. A between-place of discords, rupture and deflection, of combat language inside the language.
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Copyright (c) 2008 Ana Carolina Cernicchiaro
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Este trabalho está licenciado com uma Licença Creative Commons - Atribuição 4.0 Internacional.
