Phenomenalism in Epistemology and Physicalism in Aesthetics

Authors

  • Jacques Morizot Université d’Aix-Marseille

DOI:

https://doi.org/10.5007/1808-1711.2011v15n3p439

Abstract

The starting point of this paper is the intriguing observation that Goodman has defended a phenomenalist point of view in his epistemological works and a physicalist one in aesthetics. In fact, it would certainly be more accurate to say that his focus was anti-physicalist in epistemology and anti phenomenalist in aesthetics. In any case a majority of interpreters would spontaneously have waited for a diametrically opposite choice, more consistent indeed with the positions taken by the representatives in these fields. Yet Goodman’s strategy is not arbitrary, it has deep roots in the general context of the philosophy in the twentieth century and in return contributes to clarify some of its features and motivation.

 

Author Biography

Jacques Morizot, Université d’Aix-Marseille

Université d’Aix-Marseille

Faculté des lettres et sciences humaines

Département de philosophie

Published

2011-09-19

Issue

Section

Articles