Betweeen the Self and the Other: Border Identities and Its Modulations in Pedro Almodóvar, Eduardo Mendicutti and Luis Antonio de Villena
DOI:
https://doi.org/10.1590/%25xAbstract
The purpose of this work is to analyze the ways in which abject subjectivities (described here as border identities) defy the historic, politic, bourgeois, catholic and heterosexual order – which has shaped Hispanic collective identity during the twentieth century, strongly influenced by Franco’s dictatorship–, in the novels El beso del cosaco, by Eduardo Mendicutti, and Malditos, by Luis Antonio de Villena, and the films La ley del deseo and La mala educación, by Pedro Almodóvar. This works question the parameters of Hispanic normality by presenting a tension between the self and the others, which is also related to the problem of the intelligibility of the sexual gender within the representations and definitions of social life that shape the collective and identity imaginaries.Downloads
Downloads
Published
How to Cite
Issue
Section
License
Revista Estudos Feministas is under the Creative Commons International 4.0 Attribution License (CC BY 4.0), that allows sharing the work with recognition of authorship and initial publication in this journal.
The license allows:
Sharing (copying and redistributing the material in any support or format) and/or adapting (remixing, transforming, and creating from the material) for any purpose, even if commercial.
The licensor cannot revoke these rights provided the terms of the license are respected. The terms are the following:
Attribution – you should give the appropriate credit, provide a link to the license and indicate if changes were made. This can be done in several ways without suggesting that the licensor has approved of the use.
Without additional restrictions – You cannot apply legal terms or technological measures that prevent others from doing something allowed by the license.