The Two Fridas: History and Transcultural Identities
DOI:
https://doi.org/10.1590/S0104-026X2005000100005Abstract
This article analyzes the film Frida (2003), directed by Julie Taymor and starred by Salma Hayek, which features the love relationship between the mural artist Diego Rivera and the painter Frida Khalo. It is not a filmic biography, but focuses on a period of the painter’s life. On the one hand, it presents some comparison with the Mexican movie about the painter, Frida, naturaleza viva (1983), by Paul Leduc, to contrast different views on the events of a life, as to, for example, what concerns sexual politics. On the other hand, the paper explores to what extent the polemical film by Taymor/Hayek is historical, based on reality, or whether it is a sight-and-sound fictional version of a written biographyDownloads
Downloads
Published
How to Cite
Issue
Section
License
Revista Estudos Feministas is under the Creative Commons International 4.0 Attribution License (CC BY 4.0), that allows sharing the work with recognition of authorship and initial publication in this journal.
The license allows:
Sharing (copying and redistributing the material in any support or format) and/or adapting (remixing, transforming, and creating from the material) for any purpose, even if commercial.
The licensor cannot revoke these rights provided the terms of the license are respected. The terms are the following:
Attribution – you should give the appropriate credit, provide a link to the license and indicate if changes were made. This can be done in several ways without suggesting that the licensor has approved of the use.
Without additional restrictions – You cannot apply legal terms or technological measures that prevent others from doing something allowed by the license.