Joyce, Husserl, Derrida: Calculating the literary infinite / Joyce, Husserl, Derrida: Calculando o infinito literário

Autores

  • Jean Michel Rabaté University of Pennsylvania

DOI:

https://doi.org/10.5007/1980-4237.2012n12p249

Resumo

Nesse artigo, tento mostrar que os estranhos cálculos matemáticos de Joyce em ‘Ítaca’, episódio de Ulys-ses, apesar dos muitos erros, propõem algo equivalente à infinitude textual. Esse conceito de infinito é uma “cor-respondência homérica” do arco e fle-cha com que Ulysses põe fim aos pre-tendentes na Odisséia. Para imple-mentá-lo, Joyce teve de ler atentamente o que Bertrand Russell escreveu sobre matemática. Uma incursão pela leitura atenta de Husserl feita por Derrida a respeito da origem da geometria revela que a invenção do infinito não se limi-tou à aritmética mas também incluiu a geometria. Destarte, o gnômon que a-bre “Dublinenses” nos remete a Eucli-des, e, por conseguinte, a uma nova “barreira de infinitude” – um termo empregado por Hermann Broch em sua ficção e em seus comentários sobre Joyce. A maioria dos escritores moder-nistas não somente postulam (conscien-temente ou inconscientemente) um cer-to conceito de infinito, mas também permitem aos leitores transcendê-lo ao proporcionar uma noção do que signi-fica calcular o infinito literário.

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ABSTRACT

In this article, I try to show that Joyce's weird mathematical calcula-tions in the Ithaca episode of Ulysses present, despite many errors, an equivalent of textual infinity. This concept of the infinite is a ‘Homeric correspondence’ with the bow and ar-rows with which Ulysses kills the suit-ors in the Odyssey. To achieve this, Joyce had to read Bertrand Russell on mathematics carefully. A detour through Derrida's close reading of Husserl on the origin of geometry shows that the invention of infinity was not limited to arithmetic but also included geometry. The gnomon with which Dubliners opens thus sends us back to Euclid, and hence to a new 'barrier of infinity' – a term deployed by Hermann Broch in his fiction and in his commentaries on Joyce. Not only do most modernist writers posit (con-sciously or unconsciously) a certain concept of the infinite, they also allow readers to transcend it by providing a sense of what it means to calculate the literary infinite.

Keywords: Literature; Mathematics; Joyce; Husserl; Derrida; Infinity.

Biografia do Autor

Jean Michel Rabaté, University of Pennsylvania

Jean-Michel Rabaté,Professor of English and Comparative Literature at the University of Pennsylvania since 1992 is the Vartan Gregorian Professor in the Humanities.One of the founders and curators of Slought Foundation in Philadelphia (slouhgt.org), he is a managing editor of the Journal of Modern Literature. Since 2008, he has been a Fellow of the American Academy of Arts and Sciences. He is currently the president of the American Samuel BeckettStudies association. Rabaté has authored or edited more than thirty books on modernism, psychoanalysis, contemporary art, philosophy, and writers like Beckett,Pound and Joyce. Recent books include Lacan Literario, Siglo 21 (2007), 1913: The cradle of modernism (2007), and The Ethic of the Lie (2008), and Etant donnés: 1) l’art, 2) le crime(2010). The Ghosts of Modernity has been republished in 2010. Currently, he is completing a book on Beckett and editing an anthology on modernism and literary theory, forthcoming in 2012.

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Publicado

2013-02-07

Edição

Seção

Trabalhos Traduzidos / Translated Texts