Reading of literature in digital media: mediation by the body
DOI:
https://doi.org/10.5007/1807-9288.2016v13n1p141Abstract
The article deals with the possibility of analyzing and understanding the reading of literature in digital media from a bias that has the phenomenology of literary reading as a basis for reflection. Placing the body, our vehicle of being in the world and through which we carry out and experience our experiences, as a space of mediation between text and reader. For the construction of our understanding of reading, we use theoretical postulates that have Merleau-Ponty, Roman Ingarden, Wolfgang Iser and Jean-Paul Sartre as the guiding line. We conclude by stating that it is necessary that the reading of literature in digital media becomes a habit for the reader, in the sense proposed by Merleau-Ponty, that is, that it is necessary to incorporate new reading strategies that, in some cases, are requested by the New literary text configuration.References
CABRERA, Daniel H. Lo tecnológico y lo imaginario: las nuevas tecnologías como creencias y esperanzas colectivas. Buenos Aires: Biblos, 2006.
CHAUÍ, Marilena. Experiência do pensamento: ensaios sobre a obra de Merleau-Ponty. São Paulo: Martins Fontes, 2002.
CUPANI, Alberto. Filosofia da tecnologia: um convite. Florianópolis: Ed. da UFSC, 2011.
DE JORGE, María Goicoechea; SANZ Amelia. What (cyber)reading for the (cyber)classroom?, Neohelicon, Volume 36, Number 2 / December 2009, Akadémiai Kiadó, Budapest, Hungary, 2009.
HAYLES, N. Katherine. Literatura eletrônica: novos horizontes para o literário. Trad. Luciana Lhullier e Ricardo Moura Buchweitz. São Paulo: Editora UPF, 2009.
IHDE, Don. Bodies in Technology. Electronic Mediations. Minneapolis: University of Minnesota Press, 2002.
ISER, Wolfgang. O ato da leitura: uma teoria do efeito estético. Vol. I. Trad. Johannes Kretschmer. São Paulo: Editora 34, 1999.
MERLEAU-PONTY, Maurice. Fenomenologia da percepção. Trad. Carlos Alberto Ribeiro de Moura. São Paulo: Martins Fontes, 1999.
_______. O olho e o espírito. Trad. Paulo Neves e Maria Ermantina Galvão Gomes Pereira. São Paulo: Cosac & Naify, 2004.
_______. A prosa do mundo. Trad. Paulo Neves. São Paulo: Cosac & Naify, 2012.
MÜLLER, Marcos José. Merleau-Ponty: acerca da expressão. Porto Alegre: EDIPUCRS, 2001.
SALES, Cristiano de. Uma Poética do uso para o meio digital. 2011. 135f. Tese (Doutorado em Teoria Literária) – Universidade Federal de Santa Catarina- UFPI, Florianópolis, 2011.
SANTOS, Alckmar Luiz dos; PRADO, Gilberto Brado. Processos, objetos e rizomas. Poeticas. Disponível em: http://www2.eca.usp.br/cap/poeticas/ processos_objetos_rizomas.pdf. Acesso em: março de 2016.
SANTOS, Alckmar Luiz dos. Algumas questões sobre corpo e literatura. In: CECHINEL, André (org.). O lugar da teoria literária. Florianópolis: EDUFSC, 2016.
SARTRE, Jean-Paul. Que é a Literatura? 3. ed. São Paulo: Ática, 2004.
Downloads
Published
Issue
Section
License
Authors who have their works published in Texto Digital agree that:
Copyrights remain with the authors, who grant the journal the right of first publishing their submitted manuscripts. All materials published by the journalare under an Attribution 4.0 International - Creative Commons License, which allows them to be shared since authorship and first publication credits are mentioned.
The Attribution 4.0 International - Creative Commons allows the copy and redistribution of the material in any medium or format, as well as its adaptation for any purpose, even commercially.
Authors can take additional contracts for non-exclusive distribution of the version of their works published by our journal separately (e.g. to publish it in an institutional repository or as a book chapter) with both expressed authorship acknowledgment and Texto Digital’s first publication credit.
