Homeward bound translingualism: (Re)translating Dai Sijie’s autonarration

Martina Codeluppi

doi:10.5007/2175-7968.2019v39n3p272

Autores

Martina Codeluppi University of Naples "L'Orientale", Nápoles, https://orcid.org/0000-0002-2478-8344

DOI:

https://doi.org/10.5007/2175-7968.2019v39n3p272

Resumo

Os autores migrantes que escrevem em idiomas estrangeiros são um dos efeitos mais tangíveis da globalização da literatura chinesa contemporânea em curso hoje em dia. Dai Sijie, escritor e realizador migrante chinês, escolheu o Francês para expressar sua narração da China. Em breve ele
se tornou um exemplo de como a presença de várias culturas dentro de um indivíduo pode se tornar uma auto-hibridação. Seu primeiro romance Balzac et la Petite Tailleuse chinoise (2000) baseia-se na experiência de Dai Sijie de banimento e conta a história de dois jovens cuja reeducação foi
fortemente influenciada por Romances ocidentais proibidos na China. Mas o que acontece quando um texto literário nascido como um trabalho translingual e transcultural é traduzido de volta no seu idioma (e cultura) de origem? A mediação se realiza duas vezes ou é anulada? Como esse processo influencia a representação do autor? O presente artigo responderá a essas perguntas através de uma análise comparativa entre a história e suas versões em chinês (publicado no P.R.C. e Taiwan), concentrando-se nas (re) traduções linguísticas e culturais. A “febre da literatura mundial” enfatiza a força centrífuga que empurra a literatura da China para o Ocidente, mas a globalização é um movimento circular que às vezes implica a volta para casa de uma literaridade chinesa “à prova de
oeste”.

Biografia do Autor

Martina Codeluppi, University of Naples "L'Orientale", Nápoles,

Martina Codeluppi earned her Ph.D. in contemporary Chinese literature from Ca’ Foscari University of Venice, in co-supervision with the Sorbonne Nouvelle University – Paris 3. Her research focuses on a compared analysis of the narration of memory shaped by the polyglossia characterizing Chinese fiction at a global level. Using a transnational and translinguistic approach, her thesis compares works by migrant writers to investigate the impact of the global dimension on the individual recollection of historical events. She specialized in Chinese literature through research visits to Peking University (P.R.C.) and took part in several international conferences dealing with globality in contemporary Chinese literature, Translation Studies and Critical Discourse Analysis.

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