Gulabi, Gulabo, Gulabiya: Representing Gender Narratives in the Public Sphere

Autores

DOI:

https://doi.org/10.5007/2175-8026.2025.e103910

Palavras-chave:

Women Performers, Femininity, Bollywood Movies

Resumo

When women engage in (re)naming practices, especially names such as Gulabi, Gulabiya, and Gulabo, they perform a kind of spatial intervention that materially transforms how gender is mapped onto and understood within geographic spaces. This paper attempts to understand the act of (re)naming as an embodied writing practice through which South Asian women performers inscribe new meaning(s) onto contested spaces while simultaneously (re)positioning themselves within patriarchal spatial hierarchies. This paper examines the cultural metaphor of Gulab as a dual symbol that both idealizes and confines a woman within the structured society. This paper also analyses contemporary media representations to chart out how rose operates as a gendered symbol that naturalizes limitations on female agency and reinforces entrenched power dynamics under the guise of beauty. The analysis treats the performative act of renaming as a form of spatial authorship, where women write themselves into and out of places through identity reconstruction. When women adopt, modify, or reclaim names embedded with rose imagery they create alternative narratives. These narratives transform the semiotics of Gulabi within feminine ideals to strategic territorial claims.

Biografia do Autor

Kuntalika Jharimune, Banaras Hindu University

Dr. Kuntalika Jharimune has submitted her thesis on Performing Woman(hood): Jatra in Bengal at the Department of English, Banaras Hindu University. Her thesis focuses on the folk theatre of Jatra in Bengal and on its women performers. Her areas of interest include Folklore studies, Gender studies, Performance studies, Culture Studies. Currently she is working as an Assistant Professor of English at Vignan’s Institute of Information Technology, Visakhapatnam.

Bidisha Chakraborty, Amity University

Dr. Bidisha Chakraborty works as an assistant professor at Amity Institute of English Studies and Research, Amity University, Jharkhand. For her doctoral thesis, she has worked on Bhojpuri Wedding Songs in the department of English, Banaras Hindu University. She has published in reputed journals Dialog, Lokratna, and Journal of International Women’s studies. She has presented papers in various international and national conferences. Her area of interest includes Folkloristics, Ritual and Performance studies, Gender studies, and Translation Studies.

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Publicado

2025-06-16

Edição

Seção

Dossiê em Estudos Literários e Culturais

Categorias