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Home > Vol 72, No 1 (2019)

Vol 72, No 1 (2019): Mapping Critical Journeys in Literature, Film, and Cultural Studies

Table of Contents

Initial

Início

PDF/A

Introduction

Mapping Critical Journeys in Literature, Film, and Cultural Studies Anelise Reich Corseuil, Magali Sperling Beck

PDF/A 9-14

Articles

Aspects of hybridism in Joseph Conrad's Almayer's Folly and Heart of Darkness Aspectos de hibridismo em Almayer´s Folly e Heart of Darkness de Joseph Conrad Solange Ribeiro de Oliveira

PDF/A 15-28

Hearts of Darkness: the experience of horror in Roger Casement's writings - the fabrication of an anti-hero Roberto Carlos de Andrade

PDF/A 29-40

Subverting the ideal of womanhood: Mary Lavin's Sarah and female agency Eloísa Dall'Bello, Beatriz Kopschitz Xavier Bastos

PDF/A 41-52

Revisiting the waste land in the light of Lacanian materialism Gabriela Bruschini Grecca, Marisa Corrêa Silva

PDF/A (Português (Brasil)) 53-70

“So Were I Equalled in Renown:” Autobiographical Elements and the Epic Poet's Career in Milton Maria Rita Drumond Viana, Andrey Felipe Martins

PDF/A 71-86

Katharine Susannah Prichard’s Coonardoo and Rachel de Queiroz’s The Year Fifteen: a settler colonial reading Deborah Scheidt

PDF/A 87-114

Terry Eagleton: culture and politics in transformation Daniel Puglia

PDF/A (Português (Brasil)) 115-124

Archive fever in Linden Hilss Rita de Cássia Marinho de Paiva, Sonia Torres

PDF/A (Português (Brasil)) 125-144

The reconfiguration of cultural identity in We Need New Names, by Noviolet Bulawayo Shirley de Souza Gomes Carreira

PDF/A (Português (Brasil)) 145-158

How to do things with words – Haikus, Drones and Pornography Mariana Ruggieri

PDF/A (Português (Brasil)) 159-174

The Witch´s Image: from Historical Antiquity to Contemporary Film Representations Bruno Vinicius Kutelak Dias, Regina Helena Urias Cabreira

PDF/A (Português (Brasil)) 175-198

It hurts ’cause you’re in my world now, bitch: Gothic features in the 1984 and 2010 versions of A Nightmare on Elm Street Claudio Vescia Zanini

PDF/A 199-212

"Tough to compete": Adaptation of Michael Dobb's trilogy, House of Cards, by the BBC and Netflix Brunilda Tempel Reichmann

PDF/A (Português (Brasil)) 213-234

Duas casas: A creative-critical commentary on Romeo and Juliet FABIANE LAZZARIS

PDF/A 235-250

Ken Loach's collaborative work in cinema Marcos César de Paula Soares

PDF/A (Português (Brasil)) 251-264

Book Reviews

Mary Beard’s Women and Power: Dialogues with Tradition and the Search for a Woman’s Sentence Marcela Santos Brigida, Davi Pinho

PDF/A 265-267

Finish

Finais Anelise Reich Corseuil

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