Is adaptation. Truly an adaptation?

Thais Flores Nogueira Diniz

Resumo


http://dx.doi.org/10.5007/2175-8026.2006n51p217

The article begins by historicizing film adaptation from the arrival of cinema, pointing out the many theoretical approaches under which the process has been seen: from the concept of “the same story told in a different medium” to a comprehensible definition such as “the process through which works can be transformed, forming an intersection of textual surfaces, quotations, conflations and inversions of other texts”. To illustrate this new concept, the article discusses Spike Jonze’s film Adaptation. according to James Naremore’s proposal which considers the study of adaptation as part of a general theory of repetition, joined with the study of recycling, remaking, and every form of retelling. The film deals with the attempt by the scriptwriter Charles Kaufman, cast by Nicholas Cage, to adapt/translate a non-fictional book to the cinema, but ends up with a kind of film which is by no means what it intended to be: a film of action in the model of Hollywood productions. During the process of creation, Charles and his twin brother, Donald, undergo a series of adventures involving some real persons from the world of film, the author and the protagonist of the book, all of them turning into fictional characters in the film. In the film, adaptation then signifies something different from itstraditional meaning.


Palavras-chave


Film; Adaptation; Postmodernism

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DOI: http://dx.doi.org/10.5007/2175-8026.2006n51p217

Direitos autorais 2006 Thais Flores Nogueira Diniz

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Revista Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies, ISSN - 2175-8026, Florianópolis, Brasil.

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This work is licensed under a Creative Commons Attribution 4.0 International License.