Exotic primitivism of death in classical Hollywood living dead films

Autores

  • Outi Hakola University of Helsinki

DOI:

https://doi.org/10.5007/2175-8026.2012n62p219

Palavras-chave:

Classical Hollywood, Death, Living Dead, Horror Films, Colonization

Resumo

 

The classical Hollywood horror exhibited the undead monsters, such as mummies, zombies and vampires, at the time when cultural practices of death and dying were changing in the United States. Consequently, the way death is handled in these films is connected to the ongoing marginalization of death. In the classical films, heroes represent modern, medicalized, scientific and marginalized death. In contrast, the undead represent traditional, or irrational and magical, death. When the heroes hunt down and kill the monsters, they also claim the superiority of modern death. Furthermore, the exclusion of traditional death is highlighted by using (post)colonial tensions. The non-western monsters and realm of the world stand for traditional death and the past whereas western heroes represent modern death and the future. This article concentrates on how the classical living dead films narrate the cultural tension between the waning (traditional) and emerging (modern) practices of death.

Biografia do Autor

Outi Hakola, University of Helsinki

Outi Hakola is PhD in Media Studies, University of Turku, Finland.Her doctoral dissertation is entitled Rhetoric of Death and GenericAddressing of Viewers in American Living Dead Films. She is currentlyworking at the Helsinki Collegium for Advanced Studies with aninterdisciplinary project on Human Mortality.

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Publicado

2012-11-06

Edição

Seção

The Gothic in New Landscapes