(Post-)Modernism and Cyborg Writing in George Egerton’s “The Regeneration of Two” (1894)

Autores

  • Jéssica Katerine Molgero PPGI/UFSC
  • Alinne Balduino Pires Fernandes Universidade Federal de Santa Catarina

DOI:

https://doi.org/10.5007/2175-8026.2023.e91809

Palavras-chave:

New Woman, Escrita ciborgue, George Egerton, The Regeneration of Two

Resumo

Taking into account Rita Felski’s (1995) discussion on stereotypical representations of women in modernity and the New Woman movement, in this paper we analyse George Egerton’s short story “The Regeneration of Two” (1894) from the perspective of Donna Haraway’s cyborg imagery and the concept of cyborg writing. We demonstrate that “The Regeneration of Two” dialogues with Haraway’s proposition of a cyborg writing as it opposes an oppressive patriarchal system with the creation of a women’s community. To do so, we explore two main aspects of cyborg imagery present in the short story: the fractured identities and the community of political kinship, resulting in a subversive “cyborgian epiphany.” This epiphany informs Egerton’s progressive and intersectional representation of gender relations and of women’s writing part and parcel of the late 19th-century radical feminist New Woman movement.

Biografia do Autor

Jéssica Katerine Molgero, PPGI/UFSC

Jéssica da Rós é doutoranda no Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários (PPGI - UFSC) e realiza pesquisa sobre os romances de Octavia E. Butler. Possui mestrado em Inglês, na área de Film Studies, com foco em narrativas de ficção científica, pós-humanismo e vigilância. Seus interesses de pesquisa atuais são narrativas de deslocamento em ficção especulativa e científica escrita por mulheres. Sua pesquisa de doutorado é fomentada pela bolsa FUMDES/UNIEDU-SC.

Alinne Balduino Pires Fernandes, Universidade Federal de Santa Catarina

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Publicado

2023-08-22