Skip to main content
Skip to main navigation menu
Skip to site footer
Open Menu
Current
Archives
Announcements
About
About the Journal
Submissions
Editorial Team
Privacy Statement
Contact
Search
Register
Login
Home
/
Archives
/
No. 58 (2010)
No. 58 (2010)
Published:
2010-11-17
Initial
Início/Initial
1-10
PDF (Português (Brasil))
Introduction
Contemporary Irish theatre: a dynamic collection of critical voices
Beatriz Kopschitz Xavier Bastos, José Roberto O'Shea
11-22
PDF (Português (Brasil))
Articles
Universal or provincial?: Early reception of Brian Friel's Philadelphia, Here I Come!
Peter James Harris
21-51
PDF (Português (Brasil))
The old lady says "no": the language of denial in Brian Friel's The Loves of Cass McGuire
Giovanna Tallone
53-76
PDF (Português (Brasil))
Doomed volunteers: two great political plays from Ireland
Heinz Kosok
77-98
PDF (Português (Brasil))
Friel and his "sisters"
Nicholas Grene
99-111
PDF (Português (Brasil))
Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
Anna Stegh Camati
113-133
PDF (Português (Brasil))
Brian Friel: the master playwright
Martine Pelletier
135-156
PDF (Português (Brasil))
"A Sceptic in a Credulous World": re-evaluating the work of Stewart Parker on the twentieth anniversary of his death
Clare Wallace
157-178
PDF (Português (Brasil))
Sam Thompson, Stewart Parker, and the lineage of northern Irish drama
Marilynn Richtarik
179-189
PDF (Português (Brasil))
(Un)settlement: political parody and the Northern Irish peace process
Mark Phelan
191-215
PDF (Português (Brasil))
"Poor Banished Children of Eve": Tom Murphy and the syntax of history
Paul Murphy
217-237
PDF (Português (Brasil))
A constituição, a família, a tradição e a deconstituição da família tradicional em The Beauty Queen of Leenane
Magda Velloso Fernandez de Tolentino, Raimundo Expedito Santos Sousa
239-266
PDF (Português (Brasil))
Impossible promise: the child and the androgyne in Thomas Kilroy's The Secret Fall of Constance Wilde and My Scandalous Life
José Lanters
267-288
PDF (Português (Brasil))
Violence and hope in Ariel, by Marina Carr
Zoraide Rodrigues Carrasco de Mesquita
289-308
PDF (Português (Brasil))
From mass media to new media in contemporary Irish drama: Billy Roche's On Such As We and Paul Meade's Skin Deep
Patrick Lonergan
309-332
PDF (Português (Brasil))
"Stuff From Back Home": Enda Walsh's The Walworth Farce
Eamonn Jordan
333-356
PDF (Português (Brasil))
Conor McPherson's The Seafarer: tinkering with tradition
Roberto Ferreira da Rocha
357-380
PDF (Português (Brasil))
Conor McPherson's view of Endgame by Samuel Beckett
Maria Rita Teixeira Silva Köster
381-396
PDF (Português (Brasil))
"Estranging Exteriority": translation and adaptation in Irish drama
Maureen Murphy
397-411
PDF (Português (Brasil))
Different appropriations of greek tragedy in contemporary drama: Irish and otherwise
Munira Hamud Mutran
413-438
PDF (Português (Brasil))
Charabanc, cultural capital and the men of recognised credit
Brenda Winter
439-458
PDF (Português (Brasil))
Druid theatre's economics: the first decade
Shelley Troupe
459-478
PDF (Português (Brasil))
A brief history of Cia Ludens and its productions of Irish plays in Brazil
Domingos Nunez
479-505
PDF (Português (Brasil))
Language
English
Português (Brasil)
Make a Submission
Make a Submission