The old lady says "no": the language of denial in Brian Friel's The Loves of Cass McGuire

Giovanna Tallone

Abstract


In Brian Friel's The Loves of Cass McGuire the presence of negative expressions both in stage directions and dialogue acts as a structuring principle and emphasizes the metadramatic construction of the play. Negative forms underlie Cass's growing awareness of disappointment and hopelessness, denying the "loves" ironically mentioned in the title. Only the alternative imaginary recreation of her own life - her "rhapsody" - is significantly marked by the absence of negative forms. The language of denial is thus both subject and object in the play.

Keywords


Brian Friel; Contemporary Irish Drama; Metadrama; Negativity in Language; Homecoming



DOI: https://doi.org/10.5007/2175-8026.2010n58p53

Copyright (c) 2010 Giovanna Tallone

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