The Big Fellah (2010), de Richard Bean, e The Ferryman (2017), de Jez Butterworth: Duas peças de fora da Irlanda do Norte sobre os Troubles
DOI:
https://doi.org/10.5007/2175-8026.2020v73n2p115Resumo
Durante as três décadas dos chamados Troubles, os conflitos da Irlanda do Norte (1969-1998), uma quantidade notável de peças sobre os conflitos foi escrita, principalmente por dramaturgos irlandeses (do norte). Recentemente, no entanto, juntamente com as crescentes preocupações com a violência em todo o mundo desde o 11 de setembro, autores que não são descendentes de irlandeses começaram a escolher os problemas do norte como tema. Este artigo trata de duas peças, The Big Fellah, de Richard Bean, e The Ferryman, de Jez Butterworth, nenhuma das quais foi escrita por um dramaturgo irlandês, e examina se e até que ponto é possível dizer que elas podem transcender as fronteiras regionais e se tornar parte de memórias globais no contexto do Acordo pós-Sexta-Feira Santa e do 11 de setembro.
Referências
Assmann, Aleida. ‘The Holocaust – a Global Memory? Extensions and Limits of a New Memory Community’ in Memory in a Global Age: Discourse,, Practices and Trajectories. Eds. Aleida Assmann and Sebastian Conrad. Houndmills: Palgrave Macmillan, 2010.
Bean, Richard. The Big Fellah. London: Oberon Books, 2010.
Boss, Pauline. ‘Ambiguous Loss’, Gielgud Theatre Programme, 2018.
Butterworth, Jez. The Ferryman. London: Nick Hern Books, 2017.
Byrne, Ophelia. State of Play: The Theatre and Cultural Identity in 20th Century Ulster. Belfast: The Linen Hall Library, 2001.
Byrne, Ophelia. ‘The Lyric Theatre: the only theatre in Belfast to remain open throughout the Troubles’, 2004. Web.
CAIN. Chronology. ‘Enniskillen Bombing (Rmembrance Day Bombing), 8 November 1987. Web.
Fitzpatrick, Lisa. ‘The Politics of Performance: Theatre in and about Northern Ireland’, 2018.
Gillespie, Gordon. Historical Dictionary of the Northern Ireland Conflict. Second Edition. Lanham: Rowman & Littlefield, 2017.
Glob, P. V. The Bog People: Iron-Age Man Preserved. Translated from the Danish by Rupert Bruce-Mitford. London: Faber and Faber, 1969.
Heaney, Seamus. Door into the Dark. London: Faber and Faber, 1969.
Heaney, Seamus. Wintering Out. London: Faber and Faber, 1972.
Heaney, Seamus. North. London: Faber and Faber, 1975.
Heaney, Seamus. Preoccupations: Selected Prose 1968-1978. London: Faber and Faber, 1980.
Itsumi, Kiichiro. Raten Bungaku wo Yomu. Vergillius to Horatius. Tokyo: Iwanami Publishing, 2001. (Reading Latin Literature: Virgil and Horace in Japanese)
Kennedy-Andrews, Elmer. (de-)constructing the North: Fiction and the Northern Ireland Troubles since 1969. Dublin: Four Courts Press, 2003.
Lee, Veronica. ‘Richard Bean: What’s controversial about saying what I see?’ Go London newsletter. 7 Sept. 2010.
Lonergan, Patrick. Irish Drama and Theatre Since 1950. London: Methuen, 2019.
Lukowski, Andrzej. ‘Richard Bean Interview’, Time Out. March 18, 2013. Web.
Maguire, Tom. Making Theatre in Northern Ireland: Trough and Beyond the Troubles. Exeter: University of Exeter Press, 2006.
McDonnell, Bill. Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland. Exeter: University of Exeter Press, 2008.
McKevitt, Greg. ‘The Disappeared: Hidden story of Northern Ireland Troubles’. BBC News. 4 November 2013.
Mikami, Hiroko. ‘Frank McGuinness’s Dark Masque: Speaking Like Magpies (2005)’.
Irish University Review: Spring /Summer 2010. Special Issue: Frank McGuinness. 40-1.
Morrissey, Mike, Marie Smyth and Marie Therese Fay. The Cost of the Troubles: Study. Belfast: INCORE (University of Ulster & The United Nations University), 1999.
O’Connell, Brian. ‘Why should we leave Irish history to the Irish?’. The Irish Times, Jan. 20, 2011.
Ó hÓgáin, Dáithí. The Lore of Ireland: An Encyclopaedia of Myth, Legend and Romance. Cork: Collins Press, 2006.
Peake, Sandra, Orla Lynch. ‘Victims of Irish Republican Paramilitary Violence – The Case of “The Disappeared”. Terrorism and Political Violence, 28:452-472, 2016.
Phelan, Mark. ‘From Troubles to Post-Conflict Theatre in Northern Ireland’, 2016.
Ross, David O. Virgil’s Aeneid: A Reader’s Guide. Oxford: Blackwell, 2007.
Sandal, Nukhet. ‘20 years after the Good Friday Agreement, few people recognize how Northern Ireland’s religious leaders helped bring peace’. Washington Post, April 10, 2018. Web.
Sweeney, Joanne. ‘Actress Laura Donnelly on how uncle’s IRA murder inspired hit West End play’. The Irish Times. 11 Sept. 2017.
Teraie-Wood, Hana. ‘Buried politics: The Ferryman, the Troubles, and the Disappeared’. Movable Type, vol.10, ‘Peripheries’ (2018). DOI: 10.14324/111.1755-4527.084
Urban, Eva. Community Politics and the Peace Process in Contemporary Northern Irish Drama, 2011.
Vendler, Helen. Seamus Heaney. Cambridge, Massachusetts: Harvard University Press, 1998.
Downloads
Publicado
Edição
Seção
Licença
A revista Ilha do Desterro publica artigos e resenhas inéditos, referentes as áreas de Inglês, Literaturas em Língua Inglesa e Estudos Culturais. Publica volumes mistos e/ou temáticos, com artigos e resenhas em inglês e português.
Autores mantém os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.
This work is licensed under a Creative Commons Attribution 4.0 International License.
