Adaptation studies on Netflix: approaches for theorizing streaming platforms

Autores

DOI:

https://doi.org/10.5007/2175-8026.2024.e98153

Palavras-chave:

Adaptation studies, Netflix, Streaming platforms, Remediation

Resumo

This paper provides an introduction to Netflix and the practices of streaming services as remediation of older media, such as television and cinema. As a new medium, Netflix presents specificities in many aspects, from production to distribution and reception. This work intends to approach those characteristics from the perspective of Adaptation Studies, taking into consideration the negotiations between older and new media, which can both support and challenge concepts in our field of studies. It reflects on Anne with an E (literary adaptation), La Casa de Papel (format adaptation), Fuller House (post-literary adaptation), Black Mirror: Bandersnatch (meta-commentary) and Criminal (intramedial adaptation). In the last section, we propose three possible approaches for future works on streaming platforms: choices and processes of adaptation; adaptation as a tag genre; and new strategies of storytelling through technological features. Those are not exhaustive and should be understood as a start point for a much-necessary conversation on theorizing streaming platforms.       

Biografia do Autor

Débora Spacini Nakanishi, Universidade Estadual Paulista (Unesp)

Débora Spacini Nakanishi is a Professor in the Department of Modern Languages at UNESP, São José do Rio Preto campus (Ibilce). Member of the Association of Adaptation Studies, her research focuses on English language, literature, and adaptations. She holds a master’s degree and a PhD from the Postgraduate Program in Literature at UNESP.

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Publicado

2024-11-08

Edição

Seção

Estudos Literários e Culturais

Categorias