(Dis)Empowerment of Native Americans in Orson Scott Card’s The Tales of Alvin Maker

Authors

DOI:

https://doi.org/10.5007/2175-8026.2021.e71782

Abstract

The aim of this article is to analyze the portrayal of Native Americans in Orson Scott Card’s The Tales of Alvin Maker (1987-2003). The series is an alternative history of America in the early 19th century, which allows Card to condemn the country’s colonial history, particularly the institution of slavery and the plight of Native Americans. Nevertheless, in spite of his obvious sympathy for Native Americans, Card does not manage to avoid all of the traps awaiting a non-Native author writing about Indigenous people. The following article examines the series’ portrayal of Native Americans, demonstrating how the author both empowers his Indigenous characters and undermines their empowerment. The framework for the proposed analysis is provided by Gerald Vizenor’s theories regarding the simulation of Native presence in dominant culture, the persistence of stereotypical indians, the concept of survivance, and the possible retrieval of Indigenous sovereignty.

Author Biography

Weronika Łaszkiewicz, University of Białystok (Poland)

Weronika Łaszkiewicz, PhD, works at the Faculty of Philology at the University of Białystok (Poland). Her research interests focus on British and American popular literature and culture, particularly on the various aspects of fantasy fiction. She is the author of Fantasy Literature and Christianity (MacFarland 2018) and Exploring Fantasy Literature (Collegium Columbinum 2019).

The aim of this article is to analyze the portrayal of Native Americans in Orson Scott Card’s The Tales of Alvin Maker (1987-2003). The series is an alternative history of America in the early 19th century, which allows Card to condemn the country’s colonial history, particularly the institution of slavery and the plight of Native Americans. Nevertheless, in spite of his obvious sympathy for Native Americans, Card does not manage to avoid all of the traps awaiting a non-Native author writing about Indigenous people. The following article examines the series’ portrayal of Native Americans, demonstrating how the author both empowers his Indigenous characters and undermines their empowerment. The framework for the proposed analysis is provided by Gerald Vizenor’s theories regarding the simulation of Native presence in dominant culture, the persistence of stereotypical indians, the concept of survivance, and the possible retrieval of Indigenous sovereignty.

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Published

2021-01-28

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Section

Literary contexts: gender, identity and resistance