The Contraries’ Progression: Romantic irony in the introductory poems of William Blake’s Songs of Innocence and of Experience
DOI:
https://doi.org/10.5007/2175-8026.2021.e75671Abstract
In the vast bibliography on William Blake, scholars usually comment on the irony in his poetic works, but seldom they explain such comments. This paper is an attempt to understand the ironies present in some poems of Songs of Innocence and of Experience, while at the same time taking into consideration the dialectical quality of Blake’s thought. To do so, the concept of Romantic irony, developed by Friedrich Schlegel, is used, as it is also dialectical in its nature. In order to illustrate how Romantic irony is used to read the volume, an analysis of the introductory poems of each section, along with “Earth’s Answer” (the second introduction’s coda) and two plates which illustrate these poems, is made. The readings show some affinities between Blake’s and Schlegel’s way of thinking.
References
Alford, Steven E. Irony and the Logic of the Romantic Imagination. Peter Lang Inc., 1984.
Benjamin, Walter. O conceito de crítica de arte no romantismo alemão. 1919. Translated by Márcio Seligmann-Silva. São Paulo: Iluminuras, 2018.
Blake, William. The Complete Poetry and Prose of William Blake. 1965. Edited by David V. Erdman. New York: Anchor Books, 1982.
Bloom, Harold. Blake’s Apocalypse. New York: Doubleday, 1963.
Bloom, Harold. The Visionary Company. New York: Cornell UP, 1971.
Booth, Wayne Clayson. A Rhetoric of Irony. The University of Chicago Press, 1975.
Colebrook, Claire. Irony. New York: Routledge, 2008.
Cuddon, J. A. A Dictionary of Literary Terms and Literary Theory. 1977. Chichester: John Wiley & Sons, 2013.
Damrosch, Leo. Eternity’s Sunrise. Yale University Press, 2016.
Erdman, David V. Blake: Prophet Against Empire. 1954. Dover Publications, 2015.
Ferber, Michael. The Poetry of William Blake. New York: Penguin Books, 1991.
Gillham, D. G. Blake’s Contrary States. 1966. New York: Cambridge UP, 2009.
Medeiros, Constantino Luz de. “A forma do paradoxo: Friedrich Schlegel e a Ironia Romântica.” Trans/Form/Ação, vol. 37, no. 1, 2014, pp. 51-70.
Muecke. D. C. A Ironia e o Irônico. 1970. Translated by Geraldo Gerson de Sousa. Brasil: Perspectiva, 2008.
Phillips, Michael. William Blake: Master & Apprentice. Oxford: Ashmolean, 2014.
Schlegel, Friedrich. Lucinde and the Fragments. Translated by Peter Firchow. Toronto: University of Minnesota Press, 1971.
Seligmann-Silva, Márcio. Introduction. O conceito de crítica de arte no romantismo alemão, by Walter Benjamin, 1919. São Paulo: Iluminuras, 2018, pp. 9-14.
Simpson, David. Irony and Authority in Romantic Poetry. Totowa: Rowman and Littlefield, 1979.
Viscomi, Joseph, and Morris Eaves. “Illuminated Printing.” The Cambridge Companion to William Blake, Cambridge University Press, 2004, pp. 37–62.
Downloads
Published
Issue
Section
License
Copyright (c) 2020 William Weber Wanderlinde

This work is licensed under a Creative Commons Attribution 4.0 International License.

This work is licensed under a Creative Commons Attribution 4.0 International License.
