Be Brave, live: reviewing Buffy's journey in Buffy The Vampire Slayer from Final Girl to Heroine twenty-five years later

Authors

  • Yasmim Pereira Yonekura Universidade Federal de Santa Catarina
  • Vitor Henrique de Souza Universidade Federal de Santa Catarina

DOI:

https://doi.org/10.5007/2175-8026.2023.e88363

Keywords:

Buffy the Vampire Slayer,, TV shows, feminism, final girl, monomyth

Abstract

The present paper discusses the United-Statesian TV show Buffy the Vampire Slayer reassessing its protagonist, Buffy Summers, in 2022, twenty-five years after its first broadcasting. As a teenage girl turned into a vampire/demon hunter, Buffy undergoes significant changes in relation to her calling as a slayer. Reluctant at first, she comes to terms with her responsibilities later in the series, in a movement that echoes Joseph Campbell’s definition of the monomyth. The authors propose to discuss Buffy’s changes throughout the series, emphasizing key narrative moments, in order to illustrate how the character evolves from what could be perceived as an archetype similar to the “final girl” to a (feminist?) heroine. Additionally, the authors comment on the abuse allegations against Buffy’s creator Joss Whedon, and how they relate to the series’ legacy twenty-five years later.

Author Biography

Vitor Henrique de Souza, Universidade Federal de Santa Catarina

Doutorando pelo Programa de Pós-Graduação em Inglês (PPGI) da Universidade Federal de Santa Catarina, com bolsa integral pelo Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq). Possui Mestrado pela mesma instituição, realizado com bolsa integral pela Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES). É bacharel em Inglês pela Universidade Federal de Santa Catarina e professor de Inglês nos Cursos Extracurriculares do Departamento de Língua e Literatura Estrangeiras (DLLE - UFSC). Tem atuação e produção nas áreas de Estudos do Gótico, Cinema e Estudos Queer.

References

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Published

2023-03-02